In the Officine Abarth project, space itself becomes the main character.
It doesn’t represent the car — it creates it. It gathers its rhythm, tension, and contained energy, translating them into matter, light, and sound.
It is an experiment in Esperia’s language: a sensitive architecture, where perception shapes form and matter becomes experience.
The installation unfolds as a contemporary workshop — a landscape of raw materials, frictions, and contrasts. It is a space you feel before you understand, where the visitor doesn’t look at design but inhabits it.
Light moves over painted brick, shimmers on metal mesh, and softens on polished steel — as if time itself were a material.
The spatial sequence has two dimensions, physical and emotional.
Outside lies power: the car as a sculptural body. Inside lies intimacy: the workshop as memory, as gesture turned into language.
The visitor climbs, observes, touches, listens — and becomes part of a perceptive transformation.
A real, tangible environment where experiment meets experience, and space becomes narrative.
This is Esperia’s vision: space as a living act of perception, where design, sound, and material are part of the same sensorial continuum.
In the world of Abarth, that continuum speaks of strength, precision, and desire.
Massimiliano Gotti Porcinari, Filippo Seganti
Team: Giovanni Castellano, Andrea Cicirelli, Elisabetta Taviani
Visualizer: Luca Scarchilli
LAB71 Architetti 2016
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